![]() ![]() ![]() To solve this problem, most landscape photographers use a technique called focus stack. Using a standard lens, keeping in focus the foreground and the background when they have such different distances is impossible. The Miniature EffectĬontrary to the miniature effect, in landscape photography, you’ll want to use a tilt-shift lens to increase the depth of field and achieve an infinity focus. Using a tilt-shift lens keeps the vertical lines straight while it’s also helpful to prevent reflections on the windows or mirrors. The same concept applies to interior photography. The amount of shifting is different on each shot, simply keep doing it until the upper part of the tall building looks straight. Now, you need to fix the vertical lines by doing a positive shift on the lens. Using the manual focus, make sure the subject is tack sharp. Then, make sure the camera is perfectly levelled. To shoot architecture photography with a tilt-shift lens, you need to use a tripod. ![]() While you can fix the converging lines in post-processing, professional photographers prefer to use tilt-shift lenses and correct things from the start. When you use a tilt-shift lens, you can correct the perspective distortion and get perfectly parallel lines. It will also be more pronounced if you’re close to the bottom of the building, and when using a wide-angle lens. The taller the building is, the more you’ll notice the effect. This effect is called perspective distortion. You’ve probably noticed when you’re photographing tall buildings that instead of being straight, you get converging vertical lines. Also, they introduce less chromatic aberration – sometimes, none at all. The clarity and sharpness of these lenses is much better than it is in other lenses. It’s worth mentioning that tilt-shift lenses deliver the highest image quality and sharp focus. So, you need to focus your images manually regardless of whether or not you’re using the shift or tilt effect. Keep in mind that by setting the tilt and shift values to zero, tilt-shift lenses work as regular prime lenses. You can learn more in our article on how to use a tilt-shift lens. This means that the tilting function affects the focus, while the shift knob gives you perspective control. The tilting movements rotate the lens, while the shifting ones move it up and down or right and left while maintaining the focal plane in the same direction as the film or sensor. However, the tilt-shift lens allows you to manipulate the focal plane. In this case, the image plane stays the same as the back of the camera can’t move. You can sometimes find them abbreviated as TS lenses. Tilt-shift lenses offer you some of the camera movements usually available only on large format cameras with bellows. Credit: Charles Lanteigne, CC BY-SA 3.0, via Wikimedia Commons Canon TS-E 24mm f/3.5L II lens, with its hood in place. ![]()
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